Review: The Unthanks – Diversions Vol. 5 – Live and Unaccompanied

From the early days of Rachel Unthank and the Winterset to their configuration as The Unthanks, one of the constants has been the fiddle and vocals of Niopha Keegan. On Diversions Vol. 5 – Live and Unaccompanied, she joins Becky and Rachel as the third voice in a trio focused on the spectral qualities of three unaccompanied voices singing live to an audience.

The Unthanks have never been ones to shy away from a challenge, having covered everyone from Robert Wyatt to King Crimson, yet there is a glory in being able to hear their voices completely unadorned. Building from one to three voices in a matter of notes, ‘One By One’, establishes a high bar. The song, a tale of longing and loneliness, haunts, “We go walking out at night, as we wander through the grass, we can hear each other pass, but we’re far apart, far apart in the dark.”

The traditional, ‘I’m Weary Of Lying Alone’, with the voice of Niopha Keegan singing the lead, establishes the pain of being alone. “If I got a comely young man who would take me without fortune and make me a wife of his very own. For the truth is, I’ll say is, I’ll die in despair If I lie any longer alone, alone.” However, the mood isn’t always one of despair, ‘Geordie Wedding Set’ is rollicking collection, incorporating the traditional ‘We’ll Aal Be Wed In Our Auld Claiths’ and ‘Hi Canny Man’.

Clocking in at just over a minute, ‘Where’ve Yer Bin Dick’ from Here’s The Tender Coming is a song of disappointment three times over. From selling papers for half their worth to courting a girl but only getting disappointing kisses to the final disaster, “Where’ve yer bin Dick? Down at library, I’ve been waiting for a book. Got no pictures, couldn’t read it. Were it worth it? No, it weren’t.”

Voices pure and harmonies a plenty, this is never clearer than on ‘We Picked Apples In A Graveyard Freshly Mowed’. There are but three singers, yet the clarity of the lines suggests more. Finally there is ‘Farewell Shanty’, where the voices of Becky, Rachel and Niopha are joined by the entire audience to create an exquisite closing track.

The wonder of the Unthanks is why these albums are called diversions. After all, Diversions No. 5 – Live And Unaccompanied is a main course worth savouring in its own right.

Source: Album | The Unthanks – Diversions Vol. 5 – Live and Unaccompanied

Music Review: Ryley Walker’s “Deafman Glance” 


Attempting a bold departure the English folk style, Ryley Walker and his pickup band’s pseudo-jazz flourishes and prog-jam pretentions drift in search of a destination.

“It’s a weird record. I don’t even know if I like it.” That’s Ryley Walker speaking of Deafman Glance, his fourth record and his furthest departure yet from the neo-English folk revival sound with which he has been most associated. For listeners who have followed Walker from his debut record on hyper-retro label Tompkins Square, Deafman Glance will register as a seismic stylistic shift, and one that may shake off some among those longtime listeners who expect him to stay a course charted by his early impressions. [ . . . ]

Continue this story at POPMATTERS: Ryley Walker: Deafman Glance (music review) | More Ryley Walker on The Hobbledehoy

Album Review: The Rheingans Sisters “Bright Field”

In Bright Field, The Rheingans Sisters have created an album bursting with worldly joys and shot through with intimate sorrow and wisdom.

The Rheingans Sisters are unquestionably the real deal. A resident of Toulouse, Anna is an expert in the traditional music of her adopted homeland; a fact backed up by the first class diploma she recently acquired from the Conservatoire Occitan. Rowan, who has previously collaborated with Nancy Kerr, Gwyneth Glyn and was part of the Songs of Separation project, is a long-time member of firm FRUK favourites Lady Maisery, whose 2016 album Cycle was one of the highlights of that year. Bright Field is their third album as a duo, after Glad Gold Hearts (2013) and Already Home (2015), which led to them winning ‘Best Original Track’ (for Mackerel) at the BBC Radio 2 Folk Awards. It is also their first collection of newly composed music and expands on their impressive blueprint [ . . . ]

More at: FRUK The Rheingans Sisters: Bright Field (Album Review & Premiere) | FRUK