HCR: The coronavirus relief bill illustrates a crisis in our democracy

Heather Cox Richardson | Letters from an American | February 28

HCR
Heather Cox Richardson

In the wee hours of Saturday morning, the House of Representatives passed the American Rescue Plan, the $1.9 trillion coronavirus relief bill requested by the Biden administration. The vote was 219 to 212, with two Democrats—Jared Golden (D-ME) and Kurt Schrader (D-OR)—voting no. Not a single Republican voted for the bill.

The coronavirus relief bill illustrates a crisis in our democracy.

This measure is enormously popular. On Thursday, the day before the House took up the bill, a poll by Morning Consult/Politico showed that 76% of Americans liked the measure, including 60% of Republicans. It includes $1400 stimulus checks which, together with the $600 checks in the previous package, get us to the $2000 checks that former president Trump, a Republican, demanded.

It includes increased unemployment benefits of $400 weekly, provides $350 billion in aid to state and local governments, establishes tax credits for children, provides money to reopen schools, funds $8.5 billion to distribute vaccines, and gives small business relief.

The bill is popular among Republican mayors and governors, whose governments cannot borrow to make up for tax revenue lost because of the pandemic and who are facing deficits of $80 to $100 billion even with money from the last relief packages. The deficits will require devastating cuts on top of the 1.3 million jobs that have already been cut in the past year. Relief is “not a Republican issue or a Democrat issue,” Fresno, California, mayor Jerry Dyer told Griff Witte of the Washington Post earlier this month. “It’s a public health issue. It’s an economic issue. And it’s a public safety issue.”

Those in favor of the measure note that while there is still close to $1 trillion unspent from previous coronavirus relief bills, currently unspent money has been assigned already: it is distributed among programs that are designed to spend it over a period of time. This includes federal employment benefits, which are distributed weekly; the Paycheck Protection Program, which is held in reserve for employers to apply for funds from it; enhanced medical matching funds to be distributed as the pandemic requires; and tax breaks to be spent as people file their tax returns.

The chair of the Federal Reserve, which oversees our banking system, Jerome H. Powell, has backed the idea of increased federal spending; so has Treasury Secretary Janet Yellen. Powell was nominated to his current position by Trump (he was nominated to the Federal Reserve Board by President Barack Obama); Yellen is a Biden appointee.

This is a bill that should have gotten some Republican votes in the House of Representatives.

But it didn’t. Republican lawmakers are complaining about the partisan vote and scoffing that President Biden promised to unify the country. But the problem is not the bill. The problem is the Republican lawmakers, who are determined to oppose anything the Democrats propose.

The American Rescue Plan bill now goes to the Senate, where Republican senators appear to be united against it. In a statement, Senate Minority Leader Mitch McConnell (R-KY) complained about the Democrats’ “deliberately partisan process” in writing the bill, but the Republicans willing to meet with President Biden—McConnell was not one of them– proposed a measure that provided less than one-third the relief in the present bill. There is enormous urgency to passing the bill quickly, since current federal unemployment benefits expire on March 14.

The Senate is evenly split between the Democrats and the Republicans, with each party holding 50 seats (technically, Senators Angus King of Maine and Bernie Sanders of Vermont are Independents, but they currently work with the Democrats). Although each party effectively holds 50 seats, the Democrats represent 41.5 million more Americans than the Republicans do, in nation that has 328.2 million people.

In addition to their disproportionate power in the Senate, the Republicans can stop legislation through the filibuster. This is a holdover from an earlier era, in which a senator could stop a bill approved by a majority by refusing to stop talking about it, which would prevent the bill from coming to a vote unless senators voted to invoke “cloture,” a process that limits consideration of a pending bill to 30 additional hours. Today, cloture requires 60 votes.

The filibuster was rarely used before about 1960; in the early twentieth century, southern senators used it primarily to stop civil rights legislation. But as the volume of business in the Senate raised the need to streamline debate, the Senate reformed the filibuster so that a senator could simply threaten a filibuster to kill a bill.

Our current Republican lawmakers use these “holds” to kill any measure that cannot muster 60 votes, effectively turning the Senate into a body that requires not a majority to pass legislation, but rather a supermajority. Those who defend the filibuster argue that this supermajority requirement will make senators create bills that are bipartisan, but in fact it has meant that a small minority controls the Senate.

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Flashback: April, come she will

The virus did not die with the “hotter weather” last April. As of February 15, 2021 there have been 497,356 deaths in the U.S. due to the Covid virus. On February 10, 2020 – there we 12 deaths recorded in the U.S.

During April 2020, the average contiguous U.S. temperature was 50.9°F, 0.2°F below the 20th century average

‘I loved the weirdness’ – can Laura Marling’s crowdless gig rescue live music?

The singer played ticketed livestreams from an (almost) empty church to brighten up lockdown. We took up a lonely pew to see if it could match the real thing

After three months of shuttered concert venues, hearing Laura Marling’s voice eddy around the Union Chapel in north London is like being dosed with a vitamin I had been leaving out of my diet. It’s almost like hearing live music for the first time; a different kind of beauty than you get on a daily walk or a drive to a castle, something vividly real but constantly evaporating into the air.

There have been plenty of free lo-fi performances by stars on Instagram during lockdown, or charity initiatives such as Together at Home, but Marling’s concert is the next step for a live music sector flailing for its previous levels of artistry and revenue: £900m losses are predicted for this year in the UK. The event is ticketed at £12 or $12 a stream, and while her manager won’t give me exact numbers, he says more than 6,000 have been sold. Michael Chandler, the chief executive of Union Chapel, says events such as this feel like “a glimmer of light” for a shuttered venue that, with two-metre social distancing, could only accommodate 84 of its usual 900 capacity.

“I loved it,” Marling says between her sets, relaxed and happy. “I love the weirdness of the intensity of playing live, and that was a totally uninterrupted version of it. I don’t have to take a break and say something awkward – banter doesn’t come naturally to me.”

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