Truth and love have been smacked down, so many more times in history before today. Truth, because it’s often inconvenient, and love because it is vulnerable.
But truth is like gravity, and carbon, and the sun behind an eclipse: it’s still there. And love stays alive if you tend it like a flame. If you feel crushed by unkindness today, it’s a time for grieving, reaching out to loved ones, noticing one bright color somewhere in the day. Remembering what there is to love. Starting with the immediate, the place and people we can tend ourselves, and make safe. We can’t save everything all at once, but it’s still worth saving something. Because there are so many of us to do it.
And we are all still here today, exactly as we were yesterday. Like gravity, and carbon, and the sun behind an eclipse. – Barbara Kingsolver
This powerful reimagining of David Copperfield follows one boy’s struggle to survive amid America’s opioid crisis
It’s a brave writer who takes on a retelling of Dickens, and of David Copperfield, the most personal of his novels, at that. And yet the American author Barbara Kingsolver’s Demon Copperhead – which transposes this very English, quasi-autobiographical Bildungsroman to her own home territory of Appalachia – feels in many ways like the book she was born to write.
The idealism and concern with social justice that are characteristic of Kingsolver’s worldview find their natural counterpart in Dickens’s impassioned social criticism. While the task of modernising his novel is complicated by the fact that mores have shifted so radically since the mid-19th century – “immorality”, AKA extramarital sex? Who cares? – the ferocious critique of institutional poverty and its damaging effects on children is as pertinent as ever.
Kingsolver’s hero Damon Fields, known as Demon and nicknamed Copperhead for his red hair, is born to a drug-using teenage single mother in a trailer in Lee County, Virginia. Even in this deprived neighbourhood they stand out by being almost destitute, living between a coal camp “and a settlement people call Right Poor”. Since his mother is in and out of rehab, Demon is partly raised by the sprawling, warm-hearted Peggot clan. It’s all there in Dickens: the weak, infantile mother, ripe for abuse; the dead father and the disciplinarian boyfriend turned merciless stepfather; the bad odds against which no child stands a chance – and also the outsiders, some loving and others less so, who offer only a limited form of help.
