Catherine Blake brought out of shadows in exhibition also featuring artist’s self-portrait
William Blake’s wife, Catherine, is to be brought out of the shadows and celebrated as a lifelong creative influence, in the largest exhibition in a generation devoted to an artist believed by many to be one of Britain’s greatest.
Tate Britain has announced details of its big autumn Blake show, bringing together more than 300 works. It will include the first UK display of a piece thought to be Blake’s only self-portrait, and the recreation of a solo exhibition he staged in 1809 that he hoped would bring him fame and fortune. Sadly, only a handful of people turned up.
There will also be watercolours from a hoard of 19 works lost for 165 years and found in 2001 in a Glasgow secondhand bookshop. Two book dealers bought them for £50 each; the set was later controversially broken up and sold for $7m.
Curators said Catherine, Blake’s lifelong companion, would feature heavily in the exhibition. “It is only in the last 15 years that Catherine as a huge stabilising, supporting and level-headed influence on Blake’s art and his domestic life has really come to the fore,” said Amy Concannon, a co-curator of the show.
On a practical level she made sure the family did not descend into poverty, always keeping a certain amount of money hidden in the house and occasionally serving her husband an empty dinner plate to buck his ideas up.
But she also coloured his prints and was a hugely important creative force in his life, said Martin Myrone, another co-curator.