Film Review: The Ballad Of Shirley Collins

Music taken from the recent documentary about Shirley Collins’ return to music is more than a mere soundtrack LP, says Luke Turner.

The soundtrack to The Ballad Of Shirley Collins starts with something rather shocking. Over the sound of a crackling fire the veteran folk singer is heard saying “There are some great female voices around now, but I’m not one of them. I wish I was.” Given her recent live appearances have been touching, emotional affairs, it’s rather devastating to hear Collins’ own verdict on her return after notorious decades of silence in which she avoided even singing in the shower. In this time, Collins’ place at the heart of the story of English and American folk music was neglected in favour of a male-dominated narrative, and she was only persuaded to return to song by the pestering of Current 93’s David Tibet. The story of how she rediscovered song is finely told in The Ballad Of Shirley Collins which, if you haven’t already seen it, you should track down now. You can hear the treasure that came from the rediscovery of what her voice can do in 2016’s Lodestar, an album in which Collins and her stripped-back band make songs, some centuries old, resonate with a curiously vibrant psychedelia.


What I love about Shirley’s voice now is that she sounds exactly like how I imagine a folk singer to be, every octave quavering with decades of experience, loves lost and lessons learned – or not learned. That’s very much what’s evident throughout this beautifully curated record, a collage of spoken word from The Ballad Of Shirley Collins, old recordings made in the 1950s and 60s on her travels capturing old songs from old souls in the American South, and songs by herself and others of the folk revival movement. Shirley’s voice now is there with the recording here of Horton Barker singing ‘A Rich Irish Lady’, his voice querulous but loaded through lips that whistle with the ‘s’ sounds. After all, as Shirley says at one point, “You don’t want anything perfect, do you.” It was and is the cracks in the voices, the forgotten lyrics, the chuckles that sneak out, that give the emotional heft to the powerful narratives of hard-working lives.

The Ballad Of Shirley Collins soundtrack is an album as autobiography in itself, her recording sessions with Alan Lomax interspersed with song. It’s an incredibly effective device [ . . . ]

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