The dinner bash from hell

 

” … Potter’s first film since 2012’s Ginger & Rosa, The Party is an impressively lean affair, shot in a single location with few frills and no fuss – just an A-list cast at the top of their game. Potter looks toward Chekhov, Albee and Buñuel as inspirations, alongside such 60s Brit cinema classics as Karel Reisz’s Saturday Night and Sunday Morning and Bryan Forbes’s The L-Shaped Room. There’s a retro feel to Aleksei Rodionov’s handsome black-and-white cinematography, although the ease with which his camera waltzes around the cast lends a note of roving modernity, recalling the fluid poetry of Potter’s 2004 film Yes. Dance has always been central to Potter’s work (not just in The Tango Lesson), and there’s a real exuberance in the way she choreographs her players through the slapstick pirouettes and pratfalls of this vaguely absurdist romp. Meanwhile, Bill’s vinyl collection provides contrapuntal jukebox accompaniment, inappropriate records randomly selected with hilarious results…” | Read the entire review at : The Party review – the dinner bash from hell | Film | The Guardian

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