Even if you’re not yet familiar with the composer Natalie Holt, you’ve definitely heard her music.

Over the last five years, she’s soundtracked some of British television’s most important primetime dramas and worked on films including Paddington and Wes Anderson’s Grand Budapest Hotel.

Bolstered by her fruitful creative partnership with composer Martin Phipps, Natalie has built an impressive soundtrack CV which takes in Scandi noir Wallander and the Ivor Novello Award-winning music to BBC One’s 2014 flagship series The Honourable Woman.

We recently spent some time with the violin ace, multi-instrumentalist and composer to learn more about her musical beginnings, recent experiences and tips for emerging screen composers…

Read the enire story at: Interview: Natalie Holt – M Magazine