Travel

The Incredible String Band on German TV’s Beat Club

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By Johnny Foreigner

Here’s a three song playlist from The Incredible String Band’s performance on the German TV show Beat Club, recorded September 1970 but not broadcast.

Beat Club was a German music program that ran from September 1965 to December 1972. Co-created by Gerhard Augustin and Mike Leckebusch, the show premiered in 1965 with Augustin and Uschi Nerke hosting.

By the time the Incredible String Band performed, the series was known for incorporating psychedelic (read: cheesy) visual effects during the taped performances. This one is no exception.

The band is in fine form here, still having fun  -despite being recently introduced to Scientology and the crooked music business. As the Scotsman will toast, “To honest men and bonnie lassies!” Well, the lassies were bonnie, anyway.

In these clips, the band plays “Empty Pocket Blues,” “Everything’s Fine Right Now,” and “Irish Jigs.” The singing, particularly Mike and Robin’s respective hi and lo, is fantastic. Both guys were also great pickers, and by this time Rose Simpson, had learned to play a competent guitar.

The “Irish Jigs” clip is terrific, though it sounds more Scot than Irish,. The clip includes some wonderfully kooky dancing (less Riverdance, more Deadhead spinner footwork) from the lovely Licorice McKechnie. I’m a really sucker for Scottish Highland dance. Love it – especially  when the dancer holds hands above his/her head (see Licky at 02:30) with the thumb touching the middle finger, the other three fingers extended in the air. This signifies something important to the Scots, perhaps, “My clan is planning to slaughter your family tonight, Campbell.” With The Incredible String Band, it may have meant something more Boudin Noir en Francais than Scottish haggis: “Okay, so who is sleeping with who, tonight?”

Where are the band members today? Both Heron and Williamson still perform. Rose Simpson left the music biz and lives quietly with her family in Wales. Christina ‘Licorice’ McKechnie was last seen in 1987 hitchhiking across the Arizona desert in 1987.

Letters to The Hobbledehoy, Thanksgiving 2025

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Cynthia writes:

I stumbled upon The Hobbledehoy while looking up Cliff Edwards on the internet to learn more about him. I’d spent several hours on YouTube listening to his recordings as I have done periodically over the last years, as I fell in love with Jiminey Cricket’s voice as a child. Then I found your website and saw your I Stand with Ukraine flag; Richard Thompson’s music; a repost of Heather Cox Richardson’s post; and knew I’d found a kindred spirit out in the ether. My heart is lifted. Thank you, thank you, thank you!

Hi Cynthia!
I’m glad that you stumbled upon The Hobbledehoy, and thank you for your kind words about the website.
I, too, was introduced to the talents of Cliff “Ukelele Ike” Edwards through his iconic performance voicing “Jiminy Cricket” in Disney’s 1940 film Pinocchio. I grew to love Cliff’s distinctive voice and ukulele on tunes like “Singing In the Rain”(recorded for a film by Cliff in 1929, over twenty years before Gene Kelley’s version), “I’ll See You in My Dreams,” and of course, Cliff’s “Jada” – one of the first big hits of the jazz age

Glad to have lifted your heart!

For fellow hobbledehoy that missed it, here’s a link to my piece:
Give a little whistle: The life and sad death of Cliff Edwards, voice of Disney’s Jiminy Cricket

Monte writes:

Hi Mike, Forgive me if I’m barking up the wrong tree here, but I’m trying to contact Oliver Kornetzky (sic) to seek approval for the use of an article he wrote about his return to his hometown in Wisconsin. I have recently done a road trip through the red states of the US and am currently editing the resulting book, and would love to republish the work in full therein, since it is the most articulate explanation of America’s degradation at a human level as I have encountered. Please advise if this is acceptable, and if you wish to see the relevant chapter to view its inclusion. Warm regards, Monte

Hi Monte!
Thank you for your letter and best of luck with your upcoming book.
Unfortunately, I do not have any contact information for Oliver Kornetzke.
Kornetzke’s post remains one of The Hobbledehoy’s most viewed. There is growing suspicion online that Oliver Kornetzke is actually an AI creation. If true, that’s one AI that I would welcome to my Thanksgiving dinner table.

Felipe (again)writes:

I’m writing to you because many women between 25 and 40 are actively seeking solutions to improve their quality of life. If this is a topic that resonates with your audience, this information is for you
•••• is a unique, natural formula that delivers concrete results.

It’s specifically designed to help women achieve:
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A real boost in day-to-day vitality. Improve comfort and natural lubrication.

Hello again Felipe!

Your product sounds wonderful! Tell me – can I also use your product for the purpose of home insulation? I have several old windows that allow drafts into the house, and New England winters can be brutal! Please let us know asap, as Hobbeldehoy subscribers will surely also benefit from this information!

Letters to The Hobbledehoy, October 2025

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Kathy writes:

For Oliver Kornetzke ~ EVERYONE IS Equally Important, Beautiful And Sinful. We are Also ALL Equally And Uniquely LOVED BY GOD. THANK GOD for our President, Melania and Barron. Whoever thinks that they are better than someone else ~ Luke 18 NLT ~ Parable of the Pharisee and Tax Collector … We’re equal sinners, but in our own ways.

Hi Kathy!
Thanks for visiting The Hobbledehoy. The post by Oliver Kornetzke remains one of The Hobbledehoy’s most viewed. I do agree with you that we are all sinners. I’m not so sure about your “equal sinners” idea, however. Also, it’s curious that you thank God for Trump’s son, Barron, without mentioning Trump’s older sons, Beavis and Buthead. I’m informed by The Google that Trump also has two daughters, both blonde. So you probably should thank God for these siblings as well.

Howard writes:

Just read your comments about Rex Allen. [Cowboy singer Rex Allen and the Carousel of Progress]
First, I live in Tucson and did not know how Rex Allen died. Truly sad Wish I knew he was around. I would have reached out to him when he was alive. Second is “Carousel of Progress’” I remember it very well. First, as the General Electric. exhibit at the 1964 New York World’s Fair. “It’s a Great Big Wonderful Tomorrow” was magic as it played as the transition between the “ scenes” of GE’s technological progress. The show moved to Disneyland and, I think, Disney World. GE eventually dropped the sponsorship, but Disney continued to run it. They had to update the show as “tomorrow’s technology” became yesterday’s technology. If you didn’t know, the “carousel” in the show was the audience moving around the different scenes. In the 1970’s I had the opportunity to work with Marty Sklar, the first head of Disney Imagineering on EPCOT’s Land Pavilion. I realized then that so much of the honest, kind, warm culture expressed in so many of Disney’s “show” were a reflection of Marty’s world view. He was a gem.

Hi Howard!
Thank you for your letter. Like you, I love Rex Allen’s work, as you may have guessed from my article. Though I’ve traveled all around the world, I’m one of the few Americans who has never once been to Disney! I just turned 68 years old. Do you think it’s too late for me?

Steven writes:

I love your blog! Are you from Scotland or Wales, by chance? I’m from Pennsylvania originally, but have lived in Spain, Costa Rica, and Puerto Rico and am now in God-Forsaken Florida!

Hi Steven!

I live in Rhode Island – the smallest state in the USA. Yes, my people originated from Scotland, Ireland and Wales on my Dad’s side, Ireland and Germany on my mom’s side. My Welsh great-aunt Theresa once told me our ancestry goes back to the Pirate Morgan! I’m a huge fan of several Welsh folk performers currently making music: Katell Keineg, Gwenifer Raymond, and Cerys Hafana, especially.

As for “God-forsaken” Florida – I have no real desire to visit there. I do like their orange juice, however.

You are a well-traveled soul, Steven. Good for you! Check out this article written by travel authority Rick Steves, Britain’s Pub Hub. We’ve been in Rick’s company many times and enthusiastically recommend his tours. Here’s Rick’s advice for seniors traveling in Europe

Felipe writes:

I’m writing to you because many women between 25 and 40 are actively seeking solutions to improve their quality of life. If this is a topic that resonates with your audience, this information is for you
•••• is a unique, natural formula that delivers concrete results.

It’s specifically designed to help women achieve:
Increase desire and sexual response.
A real boost in day-to-day vitality. Improve comfort and natural lubrication.

Hi Felipe!

Your product sounds wonderful! Tell me – can I also use your product for the purpose of home insulation? I have several old windows that allow drafts into the house, and New England winters can be brutal! Please let us know asap, as Hobbeldehoy subscribers will surely also benefit from this information!

The Musician Bringing the Bagpipes Into the Avant-Garde

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Brìghde Chaimbeul frees her instrument from the confines of kitsch.

The 27-year-old Scottish musician Brìghde Chaimbeul is considered one of the most skillful and interesting bagpipe players in the world. Chaimbeul grew up a native Gaelic speaker on Skye, an island in Scotland’s Inner Hebrides, in a family of artists. Since pivoting, as a teen-ager, from the Great Highland pipes to focus on the smallpipes, she’s won national folk competitions and released three solo albums (the latest, “Sunwise,” in June), but also made pilgrimages to places such as Bulgaria, where other pipe traditions have flourished; collaborated with the indie singer-songwriter Caroline Polachek; and played for a Dior runway show. “In doing so, she has redrawn the bounds of her instrument,” Elena Saavedra Buckley writes.

The Scottish smallpipe, which has roots that go at least as far back as the 15th century, was nearly lost to history. “These bagpipes had mostly been hidden away in the backs of cupboards,” the Lowland and Border Pipers’ Society journal explained in 1989, “or they had found their way, as curiosities of a former age, into museums, where they would lie dead and silent in display cases.” But, over the years, Scottish musicians advocated for smallpipes as a cultural corrective: something that could revive a lost, jubilant character of communal Scottish music, and that could help disrupt not only the regimented Highland piping culture but the kitschy idea of Scotland forged by English imperialism. Chaimbeul, lauded as a “musical genius” by her peers, is part of this lineage of bagpipe players who are luring tradition into the present. “It all stems from her tacit understanding of the tradition. It’s a kind of focus on the depth in our music, in which the layers of virtuosity are stripped away,” one of her collaborators said.

Read the full story by Elena Saavedra Buckley: The Musician Bringing the Bagpipes Into the Avant-Garde | The New Yorker