
The Sex Education actor talks about her Irish roots and her Anglo-French upbringing
LOCKDOWN ARRIVED AT A BUSY TIME FOR THE SEX EDUCATION ACTOR. SHE IS ABOUT TO BE EVERYWHERE
Some parts of the French film industry have, it seems, clanked back into action. Emma Mackey, Anglo-French star of Netflix’s Sex Education, has been shooting Eiffel, a drama concerning the designer of the titular tower, since the beginning of June. How odd to speak to a resident of the Planet Normal.
“It is one the rare films,” she explains. “It’s not the case with everyone. As you can imagine, the protocols are extremely strict. We have to be very careful and our producer worked very hard to get us back on track. But it’s good.”
Lockdown arrived at a busy time for Ms Mackey. She is about to be everywhere. By one measure, Sex Education was the third most-watched show on Netflix during the Covid emergency (one place ahead of Tiger King, according to trackers at Reelgood). We hope to see her in Kenneth Branagh’s Death on the Nile before the autumn is out. In early July, she will be remotely present at the digital incarnation of the Galway Film Fleadh. Mackey stars as a troubled midlander in Phil Sheerin’s spooky The Winter Lake, which will receive its world premiere at this year’s one-off online event.
Shot in Leitrim and Sligo, the picture co-stars Anson Boon, Michael McElhatton and Charlie Murphy in a tale of sombre omens, hidden abuse and sublimated passions. I can’t imagine what she expected of the shoot.
Mackey says she “felt at home” on the shoot, and, as you might expect for a Mackey, she has deep Irish roots
“I didn’t have any expectations,” she says. “I knew that I’d be there for a month. And I knew that I wanted to do the film very badly. It just came at a time when I felt like I needed it. I loved it. I stayed there for the entire month and didn’t go back to London. I made the choice to kind of stay there just so I could be in that world. It is so wild. I felt at home.”
There is a something of a chamber-piece dynamic to the interactions between the four characters. Based on a screenplay by David Turpin, The Winter Lake could almost work as a play.
“There were so few cast members that it was really nice to just spend time with those few people and really get to have proper conversations with everyone and get to know each other and fool around. That was really, really fun.”
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