Leveret Will Lift Your Soul With Squeezeboxes : NPR

In the close-knit world of English folk music, Leveret boasts an impressive pedigree. The trio’s Andy Cutting is renowned for his mastery of the melodeon, a type of accordion with a push-pull mechanism for intonation that imbues it with a wheezy kick.

The band’s fiddler is Sam Sweeney, of the flamboyant nu-folk band Bellowhead, and its concertina player is Rob Harbron — both are deft and expressive musicians in their own right. (The concertina is yet another variety of squeezebox, a small hexagonal specimen with a pure, invigorating honk.)

Within its respective milieu, Leveret might be considered a supergroup were the term not anathema to the band’s entire ethos: introspective, understated, minimalist.That’s not to say that Leveret’s music lacks spunk [ . . . ]

Read more at: Leveret Will Lift Your Soul With Squeezeboxes : NPR

Review: The Young’uns “Strangers”

The north-east of England boasts an enviably rich seam of fine folk musicians, past and present. Artists as diverse as the late Vin Garbutt, Alex Glasgow and The Unthanks have all found universal acclaim with songs that are steeped in particular local detail. Perhaps the one thing that links them is their ability to be both intensely personal and unabashedly political, often in the same stroke, a quality that reflects the area’s rich working-class industrial heritage, its bleak natural beauty and the hardships and joys that those things bring.

Teessiders The Young’uns are the latest in a long line of hugely talented singers and musicians to bring the singular, distinctive sound of the region to a wider audience. The trio – singer-songwriter Sean Cooney and singers Michael Hughes and David Eagle – have been around for a while now. Strangers is their fourth album, and they have been a popular feature on the folk circuit for a decade, but in the last two or three years their appeal has deservedly blossomed, thanks to rave reviews [ . . . ]

Read Full Review: The Young’uns: Strangers (Featured Album Review) | Folk Radio UK

Richard Thompson: Acoustic Classics II | Folk Radio UK

It’s a great idea, cataloguing Richard Thompson’s substantial material into stripped back acoustic versions as a collection; the songs themselves are of such high quality that they’ll be around forever, and we all know that Thompson is a hugely accomplished guitarist. His career is a frightening one, spanning five decades thus far, starting in 1967 with Fairport Convention when the guitarist was in his late teens. We can be thankful then for a compilation series of Thompson’s output and also interested in hearing the songs in a contemporary setting. It’s a reassuring and accessible run so far and a very useful gateway for anybody looking to familiarise themselves with some of the most important song writing in modern British folk history [ . . . ]

Read Full Review at: Richard Thompson: Acoustic Classics II | Folk Radio UK