Month: January 2026

Robert Reich: Enough 

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Trump Crime Family

From Minneapolis to Davos, people are joining together against Trump’s tyranny.

By Robert Reich January 25, 2026

Friends,

Enough.

I believe the shots that killed Alex Pretti and Renee Good are the shots heard ‘round the world that will topple the Trump regime.

From Minneapolis to Davos, people are joining together against Trump’s tyranny.

In Minnesota, they are joining across ethnicity, race, and class against Trump’s gestapo tactics, repression, and murders. Solidarity is spreading to other cities.

In Europe, they are joining across national boundaries against Trump’s threats to their sovereignty, the European Community, and NATO.

Canadian Prime Minister Mark Carney, in a speech that drew a standing ovation from world leaders at Davos, called on “middle powers” like Canada and Europe to form a new alliance against economic coercion from the world’s great powers (by which he clearly meant Trump’s United States and Putin’s Russia).

Across America and across the world, people are realizing it’s not possible to appease America’s dictator. The only way to deal with him is to stand up to him — and the only way to stand up to him is by joining together against him.

Trump backed down from his threatened tariffs on Europe for not supporting his acquisition of Greenland, because Europe and Canada held firm.

Of course, Trump is now hitting back. He’s openly contemplating using the Insurrection Act against Americans who oppose him. He’s threatening Carney’s government with 100 percent tariffs on all Canadian products coming into the U.S. if Canada makes a deal with China. The mad dictator is losing his mind.

Europeans and much of the rest of the world have lived under dictatorships. Until now — until Trump — Americans had not.

Yet the “greatest generation” of Americans — including many of our parents and grandparents — risked their lives fighting dictators so that this country would remain free and democratic.

So far, two Americans, both age 37, have given up their lives in Minneapolis in resisting the dictator now occupying the Oval Office.

We must now join together, all of us, to peacefully and decidedly end his dictatorship.

In memory of parents and grandparents who made the supreme sacrifice — in memory of Renee Good and Alex Pretti — we must bring down this regime. The first step is a massive general strike.

We will say loudly and clearly: Enough.

 

Sarah Kendzior Q & A “A Nation on Thin Ice”

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By Sarah Kendzior | January 23, 2026
 

There are a lot of questions, so you’ve got a nice long Q & A to curl up with in the snowpacalypse! I’m going to publish this before the electricity and my mind give out. As Lonnie Johnson sang in 1938, “My brains is cloudy, my soul is upside-down.” On that note, let’s kick it off with thoughts on sin and Sinners:

Frank G: It seems there has been very little cultural reaction to the US becoming an authoritarian, oligarchic, severely economically stratified nation in the past 10-15 years. Other repressive eras in our nation’s history produced huge cultural responses in music, art, literature and film, but it seems to me we are not really seeing this now. Am I reading the situation correctly and, if so, what do you think is the reason for this? 

SK: Like politicians, entertainment companies have stopped trying to win us over: they instead focus on inserting things we don’t want (like AI) without our permission. The merger of Big Tech with Hollywood is one of the worst things to happen to American pop culture. The rot brought on by AI, algorithms, and “anti-DEI” racism is notable given the creative richness and diversity of the last two decades. The industry that boosted a show like Reservation Dogs just a few years ago is gone.

But cultural responses are still there. People still make art to reflect our time: it’s just a matter of whether their efforts are heard and recognized. I got your question on a rare day: the day Sinners got a record number of Oscar nominations. Sinners — a tale of vampiric white supremacists and Black cultural resistance during Jim Crow — is a commentary on our current era and its historical precedent. In the 1930s, Black music was an act of rebellion. Making Sinners is an act of rebellion now. Singing the blues is bearing witness; juke joints spit at the idea of white corporate control; and Sinners takes on race, crime, law, and other heavy issues in a wildly entertaining way.

In repressive eras, horror is where the unsaid can be said (see The Twilight Zone in the censorship-heavy early 1960s). The two movies that best respond to the political culture of the past ten years are Sinners and Get Out: another Black horror film. These films combine sharp political critique and visceral thrill and do so with vivid, original style. Their impact is one reason the Trump admin and its Hollywood backers deploy their racist “anti-DEI” policies: they’re afraid, and not of the supernatural.

You’re right that the last few years have felt flat and dull. Peak TV ended after decades of shows reflecting on the moral crisis of the US (Sopranos, Breaking Bad, etc.) We’ve been flooded with boring shows about the ultra-rich; this shift started around 2022. The downfall of TV was preceded by the downfall of the music industry: the murder of radio, MTV, and the musical pop monoculture — and with it, the counterculture that had formed in reaction. Like streaming TV, digital music is siloed and repressed by algorithms. Politically conscious songs exist but are hard to find. Americans still long for them: that’s why the “Fast Car” duet in 2024 entranced the nation.

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